I've got to stop reading these for a little while. Here is the full review of basically all of these books I've read.
Harry Dresden is a compelling character. A public wizard trying to make his way through the technological age, which largely spurns him. Jim Butcher does a wonderful job of high level, long range story telling in the development of this character and his relationships to the other characters in the story.
He does a good job on the book level of creating several lines of ten... (show more)
I've got to stop reading these for a little while. Here is the full review of basically all of these books I've read.
Harry Dresden is a compelling character. A public wizard trying to make his way through the technological age, which largely spurns him. Jim Butcher does a wonderful job of high level, long range story telling in the development of this character and his relationships to the other characters in the story.
He does a good job on the book level of creating several lines of tension, which pull the characters in different directions, ultimately concluding some and extending others into the longer storyline.
Jim Butcher does a phenomenal job, particularly during times of high tension, of writing on the sentence/paragraph level.
The problem is that ultimately and despite the twists and turns, these stories feel like cookies cut with the same cutter. Like a wonderful classical music piece played in exactly the right way, the books loose something because they have checked off all the boxes of what makes a good book. While the character of the writer comes out on both the level of the well turned phrases and the higher 20 book character development level. The structure in between seems like it was transcribed from a class on how to write a book well.
Example: In almost every book he introduces his car (The Blue Beetle) with a nearly identical paragraph, likely because an editor said, you can't assume the reader will have read all the other books, so you have to reintroduce things.
Worse Example: At one point in this book the main female character, a tomboy cop, puts on a dress for a family reunion. Butcher wastes an entire page of narrative blather on redescribing her character, and finally why the dress is so out of character. By the middle of the sixth book, if you haven't gotten the fact that this character is out of place in a dress, you need to read the other books. This is the equivalent of JK Rowling taking a page out of the sixth Harry Potter book to explain that Hermione is smart...
The problem with all this, is that for all the drama and the laughter that makes the books hard to put down, there's no feeling of larger accomplishment. It's nothing more than, one bad guy down, bring on the next.
The (show less)